Everything about Lorenzo Da Ponte totally explained
This article is about the librettist Lorenzo da Ponte. For the Bishop of the same name, see Vittorio Veneto.
Lorenzo Da Ponte, born
Emanuele Conegliano (
March 10 1749 –
August 17 1838) to Geremia Conegliano and Ghella Pincherle. He was an
Italian librettist and poet born in
Ceneda (now
Vittorio Veneto). He is most famous for having written the librettos to three
Mozart operas,
Le nozze di Figaro,
Don Giovanni, and
Così fan tutte. Many of his works belonged to the
Opera buffa genre.
Life, and a commentary
Conegliano was a
Jew by birth. His widowed father converted himself and his three sons to
Roman Catholicism in order to marry a young Christian woman. The 14-year-old Conegliano took the name Lorenzo Da Ponte, the name of the
bishop of Ceneda who administered the
baptism. Still later, he studied to be a teacher and was ordained a Catholic
priest. However, unable to conduct himself in a manner befitting either profession, he was banned from both fields, and later exiled from
Venice. Da Ponte worked in
Dresden, and later
Vienna, where he collaborated with Mozart and
Antonio Salieri. He was appointed court librettist to
Joseph II, for whom he composed libretti in many different languages, including
French,
German, and
Italian. While in Vienna he also worked with composer
Vicente Martín y Soler.
Da Ponte moved from
Paris to
London to
New York City to
Philadelphia, where he briefly ran a grocery store and gave private Italian lessons before returning to New York to open a bookstore. At one point, he may have played organ at St. Patrick's Old Cathedral. He became friends with
Clement Clarke Moore, the supposed author of "
Twas the Night Before Christmas", and through him gained an appointment as the first Professor of Italian Literature at
Columbia College (now known as
Columbia University). He was the first faculty member to have been born a Jew, and also the first to have been ordained as a Roman Catholic priest. In 1828, at the age of 79, da Ponte became a
naturalized citizen of the
United States.
(External Link
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Another distinction shared by him with Mozart is the fact his place of burial is unmarked. Da Ponte was originally buried in a Catholic cemetery in Manhattan near
Old Saint Patrick's Cathedral. These interments were later removed to
Calvary Cemetery in
Queens with little attention paid to who was who. A
cenotaph to Da Ponte's memory is found at Calvary.
All but two of Da Ponte's works are adaptations of pre-existing plots, as was common among librettists of the time.
Le nozze di Figaro, for example, is based on a play by
Pierre Beaumarchais, as is
Axur re d’Ormus, which Da Ponte wrote for Salieri. The minor exception is
L'arbore di Diana; the great exception
Così fan tutte, an original work which he began with Salieri but completed with Mozart.
Works
- Opera Librettos
- Ifigenia in Tauride (1783, ital. translation of the French opera Iphigénie en Tauride - composer Christoph Willibald Gluck)
- La Scuola de' gelosi (1783, New version of the 1778 Libretto by Caterino Mazzolà) - composer Antonio Salieri
- Il Ricco d'un giorno (1784) - composer Antonio Salieri
- Il Burbero di buon cuore (1786, from the play by Carlo Goldoni) - composer Vicente Martín y Soler
- Il Demogorgone ovvero Il filosofo confuso (1786) - composer Vincenzo Righini
- Il finto cieco (1786) - composer Giuseppe Gazzaniga
- Le nozze di Figaro (1786, from the play Le Mariage de Figaro by Beaumarchais) - composer Mozart
- Una cosa rara ossia Bellezza ed onestà (1786, from the comedy La Luna della Sierra by Luis Vélez de Guevara) - composer Vicente Martín y Soler
- Gli equivoci (1786) - composer Stephen Storace
- L'arbore di Diana (1787) - composer Vicente Martín y Soler
- Il dissoluto punito o sia Il Don Giovanni (1787, from the opera Don Giovanni Tenorio by Giuseppe Gazzaniga) - composer Mozart
- Axur, re d'Ormus (1787/88, ital. translation of the libretto Tarare by Beaumarchais) - composer Antonio Salieri
- Il Talismano (1788, from Carlo Goldoni) - composer Antonio Salieri
- Il Bertoldo (1788) - composer Antonio Brunetti
- L'Ape musicale (1789) - Pasticcio of works by various composers
- Il Pastor fido (1789, from the pastoral by Giovanni Battista Guarini) - composer Antonio Salieri
- La Cifra (1789) - composer Antonio Salieri
- Così fan tutte (1789/90) - composer Mozart
- La Caffettiera bizzarra (1790) - composer Joseph Weigl
- La Capricciosa corretta (1795) - composer Vicente Martín y Soler
- Antigona (1796) - composer Giuseppe Francesco Bianchi
- Il consiglio imprudente (1796) - composer Giuseppe Francesco Bianchi
- Merope (1797) - composer Giuseppe Francesco Bianchi
- Cinna (1798) - composer Giuseppe Francesco Bianchi
- Armida (1802) - composer Giuseppe Francesco Bianchi
- La Grotta di Calipso (1803) - composer Peter von Winter
- Il Trionfo dell'amor fraterno (1804) - composer Peter von Winter
- Il Ratto di Proserpina (1804) - composer Peter von Winter
Texts for Cantatas, Oratorios, etc.
Poetry: Da Ponte wrote poetry throughout his life, including:
- Various laudatory poetry for royalty (and some disparaging ones)
- A long letter of complaint in blank verse to Emperor Leopold II
- 18 sonnets in commemoration of his wife (1832)
Further Information
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